Jason Rouse Cardiff, UK
Jason Rouse is a true exponent of the Irish Uilleann Pipes. Hailing from the rugged North West of Ireland and now living in
Wales, his playing is detailed, expressive and typical of the style found in his native region.
Rouse has taught and played internationally, and also co-chairs the South Wales Uilleann Pipers club, coordinating concerts, classes and festivals promoting Celtic music in Wales.
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King of the Blind
by Joey Abarta
supported by 21 fans who also own “Reels: The Flogging Reel/The Twelve Pins”
Arragnements fit together perfectly, piping is precise, variations accentuate the tunes well and the rhythm section is dancing! Unique and enjoyable all around!
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supported by 17 fans who also own “Reels: The Flogging Reel/The Twelve Pins”
HI,The first track and sound I heard was enough for me to get whole album Raw honest,goose bumps live sound, fantastic reels ,to dance Sean nos. Dave Suffolk Uk ps if have,listen on a blue tooth speaker ,this is even more amazing.pps Have listen more ofCormac music and feel the instrument when played becomes a living entity .
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Beo
by Pádraic Keane, Páraic Mac Donnchadha & Macdara Ó Faoláin
supported by 17 fans who also own “Reels: The Flogging Reel/The Twelve Pins”
Absolutely sensational - love the generally low-end tones and planxty-esque set up, but most of all the incredible energy of it! Wish more instrumental trad was like this, love the fact that it's recorded live too.
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From Cork, Ireland, Lewis Barfoot writes mystic, majestic songs derived from regional folk, with an ambient music aura.
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The Two Worlds
by Brigid Mae Power
The latest LP from Brigid Mae Power is gorgeous and ghostly, setting Power’s voice against soft brushes of guitar, piano, & shuffling drums.
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featured on Bandcamp Radio Jul 27, 2021
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supported by 16 fans who also own “Reels: The Flogging Reel/The Twelve Pins”
Absolutely love that deep concertina sound. And the range of expression that Cormac brings out through this instrument, well beyond the intentions of the designers or makers of these instruments. And, feel sorry for his poor bellows and reeds. He has to do a lot of personal repair on them. Cormac's album design and presentation are beautiful works of art as well. See him in concert if you can. You can really feel those bass notes resonate through a hall.
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